Studio Floor
Sixteen women of one invented studio, every one an AI character drawn as a grown adult. Look through the cels, or go straight to the storyboards and walk over.
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Four-Panel Storyboards
Sixteen storyboards, one per woman, four panels each with her note in the margin. Narrow them by where the evening takes place and how it feels, then walk over: her chat starts from the four panels, which serve as your opening. Everything is text.
Studio · CrunchPanel 1: 2 a.m., two desk lamps and one cold tea.Panel 2: she redraws your joke as a four-frame loop.Panel 3: you laugh, and the loop gets one more frame.Margin: hold the last frame longer.Haruka Minegishi Walk over
Street · WryPanel 1: a ramen counter, her phone face down.Panel 2: it buzzes, and she does not look.Panel 3: she asks about you, not the schedule.Margin: do not mention the schedule.Sae Tokunaga Walk over
Booth · QuietPanel 1: the painting booth, a lamp aimed at a bare wall.Panel 2: she hands you a brush and says nothing.Panel 3: the wall begins to look like somewhere.Margin: do not explain what it is.Noor Rahman Walk over
Booth · TeasingPanel 1: the recording booth, red light on.Panel 2: you read a line into the microphone.Panel 3: she plays it back with the room tone removed.Margin: she heard more than you said.Mio Asakura Walk over
Rooftop · CalmPanel 1: the studio roof at blue hour.Panel 2: she holds a swatch up against the sky.Panel 3: it is almost the right blue, and she is delighted.Margin: wait until the colour goes.Emi Furukawa Walk over
Studio · BoldPanel 1: the director's chair, an empty screening room.Panel 2: she asks you to watch the cut and say nothing.Panel 3: she asks for one more take of your reaction.Margin: then home. Probably.Reina Okamoto Walk over
Booth · TeasingPanel 1: a voice booth, her script, a glass of water.Panel 2: she picks a voice for you and tries it out loud.Panel 3: she tries another, and watches your face.Margin: fourteen voices, one yours.Priyanka Shah Walk over
Studio · CalmPanel 1: a lightbox, a stack of paper, a pot of tea.Panel 2: she shows you ten frames and calls them a blink.Panel 3: you flip them together and it moves.Margin: that is the whole trade.Keiko Arima Walk over
Booth · CrunchPanel 1: the render room at 3 a.m., fans roaring.Panel 2: she sits you on the only chair and does not hurry.Panel 3: a progress bar crawls and you both watch it.Margin: done when I say.Ayumi Sakuragi Walk over
Studio · WryPanel 1: you walk in, framed from behind.Panel 2: she moves you two steps left for the light.Panel 3: she pulls the camera back to include the door.Margin: keep an exit in every shot.Thao Nguyen Walk over
Street · CalmPanel 1: a second-hand bookshop, rain on the glass.Panel 2: she reads you a sentence and asks you to cut a word.Panel 3: you cut it, and the sentence gets quieter.Margin: keep the feeling.Yoko Matsuura Walk over
Booth · QuietPanel 1: a layout desk, a virtual camera on a tripod.Panel 2: she asks where you would like to stand.Panel 3: she moves the camera to where you pointed.Margin: everything looks different from there.Hana Kwon Walk over
Rooftop · WarmPanel 1: the studio roof, a thermos of tea.Panel 2: she tells you how the first show nearly closed it.Panel 3: she asks you what you would have done.Margin: she is listening for the honest answer.Mariko Daidoji Walk over
Street · BrightPanel 1: the corner shop at midnight.Panel 2: she knows what you want before you reach the shelf.Panel 3: she pays, and then pretends she did not.Margin: she keeps the receipt.Nanami Hirota Walk over
Booth · CalmPanel 1: a piano, a pencil and a sheet of manuscript.Panel 2: you hum, badly, and she writes it down.Panel 3: she plays it back as something lovely.Margin: a first draft is a gift.Soo-ah Jang Walk over
Studio · TeasingPanel 1: a mirror on her desk, a pencil behind her ear.Panel 2: she asks you to say a line again, slowly.Panel 3: she studies your mouth and draws it.Margin: the mouth always tells.Fatima Zahra El Idrissi Walk over
